Burn, Witch, Burn! Page 12

  "I take a couple of the boys an' we start out to comb the neighborhood to find out where she stables the coupe. We don't have no luck at all until about four o'clock when one of the tails—one of the lads who's been looking—meets up with me. He says that about three he sees the gal—at least he thinks it's the gal—walking along the street around the corner from the joint. She's got a coupla big suitcases but they don't seem to trouble her none. She's walking quick. But away from the doll joint. He eases over to get a better look, when all of a sudden she ain't there. He sniffs around the place he's seen her. There ain't hide nor hair of her. It's pretty dark, an' he tries the doors an' the areaways, but the doors are locked an' there ain't nobody in the areaways. So he gives it up an' hunts me.

  "I look over the place. It's about a third down the block around the corner from the doll joint. The doll joint is eight numbers from the corner. They're mostly shops an' I guess storage up above. Not many people living there. The houses all old ones. Still, I don't see how the gal can get to the doll joint. I think maybe the tail's mistaken. He's seen somebody else, or just thinks he's seen somebody. But we scout close around, an' after a while we see a place that looks like it might stable a car. It don't take us long to open the doors. An' sure enough, there's a coupe with its engine still hot. It ain't been in long. Also it's the same kind of coupe the lad who's seen the gal says she was driving.

  "I lock the place up again, an' go back to the boys. I watch with 'em the rest of the night. Not a light in the doll joint. But nigh eight o'clock, the gal shows up inside the shop and opens up!"

  "Still," I said at this point, "you have no real evidence she had been out. The girl your man thought he saw might not have been she at all."

  He looked at me pityingly.

  "She got out in the afternoon without 'em seeing her, didn't she? What's to keep her from doing the same thing at night? The lad saw her driving a coupe, didn't he? An' we find a coupe like it close where the wench dropped out of sight."

  I sat thinking. There was no reason to disbelieve McCann. And there was a sinister coincidence in the hours the girl had been seen. I said, half-aloud:

  "The time she was out in the afternoon coincides with the time the doll was left at the Gilmores'. The time she was out at night coincides with the time of the attack upon Ricori, and the death of John Gilmore."

  "You hit it plumb in the eye!" said McCann. "She goes an' leaves the doll at Mollie's, an' comes back. She goes an' sets the dolls on the boss. She waits for 'em to pop out. Then she goes an' collects the one she's left at Mollie's. Then she beats it back home. They're in the suitcases she's carrying."

  I could not hold back the irritation of helpless mystification that swept me.

  "And I suppose you think she got out of the house by riding a broomstick up the chimney," I said, sarcastically.

  "No," he answered, seriously. "No, I don't, Doc. But them houses are old, and I think maybe there's a rat hole of a passage or something she gets through. Anyway, the hands are watching the street an' the coupe stable now, an' she can't pull that again."

  He added, morosely:

  "At that, I ain't saying she couldn't bridle a broomstick if she had to."

  I said, abruptly: "McCann, I'm going down to talk to this Madame Mandilip. I want you to come with me."

  He said: "I'll be right beside you, Doc. With my fingers on my guns."

  I said: "No, I'm going to see her alone. But I want you to keep close watch outside."

  He did not like that; argued; at last reluctantly assented.

  I called up my office. I talked to Braile and learned that Ricori was recovering with astonishing rapidity. I asked Braile to look after things the balance of the day, inventing a consultation to account for the request. I had myself switched to Ricori's room. I had the nurse tell him that McCann was with me, that we were making an investigation along a certain line, the results of which I would inform him on my return, and that, unless Ricori objected, I wanted McCann to stay with me the balance of the afternoon.

  Ricori sent back word that McCann should follow my orders as though they were his own. He wanted to speak to me, but that I did not want. Pleading urgent haste, I rang off.

  I ate an excellent and hearty lunch. I felt that it would help me hold tighter to the realities—or what I thought were the realities—when I met this apparent mistress of illusions. McCann was oddly silent and preoccupied.

  The clock was striking three when I set off to meet Madame Mandilip.

  Chapter 13 - Madame Mandelip

  I stood at the window of the doll-maker's shop, mastering a stubborn revulsion against entering. I knew McCann was on guard. I knew that Ricori's men were watching from the houses opposite, that others moved among the passersby. Despite the roaring clatter of the elevated trains, the bustle of traffic along the Battery, the outwardly normal life of the street, the doll-maker's shop was a beleaguered fortress. I stood, shivering on its threshold, as though at the door of an unknown world.

  There were only a few dolls displayed in the window, but they were unusual enough to catch the eyes of a child or a grown-up. Not so beautiful as that which had been given Walters, nor those two I had seen at the Gilmores', but admirable lures, nevertheless. The light inside the shop was subdued. I could see a slender girl moving at a counter. The niece of Madame Mandilip, no doubt. Certainly the size of the shop did not promise any such noble chamber behind it as Walters had painted in her diary. Still, the houses were old, and the back might extend beyond the limits of the shop itself.

  Abruptly and impatiently I ceased to temporize.

  I opened the door and walked in.

  The girl turned as I entered. She watched me as I came toward the counter. She did not speak. I studied her, swiftly. An hysterical type, obviously; one of the most perfect I had ever seen. I took note of the prominent pale blue eyes with their vague gaze and distended pupils; the long and slender neck and slightly rounded features; the pallor and the long thin fingers. Her hands were clasped, and I could see that these were unusually flexible—thus carrying out to the last jot the Laignel-Lavastine syndrome of the hysteric. In another time and other circumstances she would have been a priestess, voicing oracles, or a saint.

  Fear was her handmaiden. There could be no doubt of that. And yet I was sure it was not of me she was frightened. Rather was it some deep and alien fear which lay coiled at the roots of her being, sapping her vitality—a spiritual fear. I looked at her hair. It was a silvery ash… the color… the color of the hair that formed the knotted cords!

  As she saw me staring at her hair, the vagueness in her pale eyes diminished, was replaced by alertness. For the first time she seemed to be aware of me. I said, with the utmost casualness:

  "I was attracted by the dolls in your window. I have a little granddaughter who would like one I think."

  "The dolls are for sale. If there is one you fancy, you may buy it. At its price."

  Her voice was low-pitched, almost whispering, indifferent. But I thought the intentness in her eyes sharpened.

  "I suppose," I answered, feigning something of irritation, "that is what any chance customer may do. But it happens that this child is a favorite of mine and for her I want the best. Would it be too much trouble to show me what other, and perhaps better, dolls you may have?"

  Her eyes wavered for a moment. I had the thought that she was listening to some sound I could not hear. Abruptly her manner lost its indifference, became gracious. And at that exact moment I felt other eyes upon me, studying me, searching me. So strong was the impression that, involuntarily, I turned and peered about the shop. There was no one except the girl and me. A door was at the counter's end, but it was lightly closed. I shot a glance at the window to see whether McCann was staring in. No one was there.

  Then, like the clicking of a camera shutter, the unseen gaze was gone. I turned back to the girl. She had spread a half-dozen boxes on the counter and was opening them. She looked up at me, candidly, almost swee
tly. She said:

  "Why, of course you may see all that we have. I am sorry if you thought me indifferent to your desires. My aunt, who makes the dolls, loves children. She would not willingly allow one who also loves them to go from here disappointed."

  It was a curious little speech, oddly stilted, enunciated half as though she were reciting from dictation. Yet it was not that which aroused my interest so much as the subtle change that had taken place in the girl herself. Her voice was no longer languid. It held a vital vibrancy. Nor was she the lifeless, listless person she had been. She was animated, even a touch of vivaciousness about her; color had crept into her face and all vagueness gone from her eyes; in them was a sparkle, faintly mocking, more than faintly malicious.

  I examined the dolls.

  "They are lovely," I said at last. "But are these the best you have? Frankly, this is rather an especial occasion—my granddaughter's seventh birthday. The price doesn't really matter as long, of course, as it is in reason—"

  I heard her sigh. I looked at her. The pale eyes held their olden fear-touched stare, all sparkling mockery gone. The color had fled her face. And again, abruptly, I felt the unseen gaze upon me, more powerfully than before. And again I felt it shuttered off.

  The door beside the counter opened.

  Prepared though I had been for the extraordinary by Walters' description of the doll-maker, her appearance gave me a distinct shock. Her height, her massiveness, were amplified by the proximity of the dolls and the slender figure of the girl. It was a giantess who regarded me from the doorway—a giantess whose heavy face with its broad, high cheek bones, mustached upper lip and thick mouth produced a suggestion of masculinity grotesquely in contrast with the immense bosom.

  I looked into her eyes and forgot all grotesqueness of face and figure. The eyes were enormous, a luminous black, clear, disconcertingly alive. As though they were twin spirits of life, and independent of the body. And from them poured a flood of vitality that sent along my nerves a warm tingle in which there was nothing sinister—or was not then.

  With difficulty I forced my own eyes from hers. I looked for her hands. She was swathed all in black, and her hands were hidden in the folds of her ample dress. My gaze went back to her eyes, and within them was a sparkle of the mocking contempt I had seen in those of the girl. She spoke, and I knew that the vital vibrancy I had heard in the girl's voice had been an echo of those sonorously sweet, deep tones.

  "What my niece has shown does not please you?"

  I gathered my wits. I said: "They are all beautiful, Madame—Madame—"

  "Mandilip," she said, serenely. "Madame Mandilip. You do not know the name, eh?"

  "It is my ill fortune," I answered, ambiguously. "I have a grandchild—a little girl. I want something peculiarly fine for her seventh birthday. All that I have been shown are beautiful—but I was wondering whether there was not something—"

  "Something—peculiarly—" her voice lingered on the word—"more beautiful. Well, perhaps there is. But when I favor customers peculiarly—" I now was sure she emphasized the word—"I must know with whom I am dealing. You think me a strange shopkeeper, do you not?"

  She laughed, and I marveled at the freshness, the youthfulness, the curious tingling sweetness of that laughter.

  It was by a distinct effort that I brought myself back to reality, put myself again on guard. I drew a card from my case. I did not wish her to recognize me, as she would have had I given her my own card. Nor did I desire to direct her attention to anyone she could harm. I had, therefore, prepared myself by carrying the card of a doctor friend long dead. She glanced at it.

  "Ah," she said. "You are a professional—a physician. Well, now that we know each other, come with me and I will show you of my best."

  She led me through the door and into a wide, dim corridor. She touched my arm and again I felt that strange, vital tingling. She paused at another door, and faced me.

  "It is here," she said, "that I keep my best. My—peculiarly best!"

  Once more she laughed, then flung the door open.

  I crossed the threshold and paused, looking about the room with swift disquietude. For here was no spacious chamber of enchantment such as Walters had described. True enough, it was somewhat larger than one would have expected. But where were the exquisite old panelings, the ancient tapestries, that magic mirror which was like a great "half-globe of purest water," and all those other things that had made it seem to her a Paradise?

  The light came through the half-drawn curtains of a window opening upon a small, enclosed and barren yard. The walls and ceiling were of plain, stained wood. One end was entirely taken up by small, built-in cabinets with wooden doors. There was a mirror on the wall, and it was round—but there any similarity to Walters' description ended.

  There was a fireplace, the kind one can find in any ordinary old New York house. On the walls were a few prints. The great table, the "baronial board," was an entirely commonplace one, littered with dolls' clothing in various stages of completion.

  My disquietude grew. If Walters had been romancing about this room, then what else in her diary was invention—or, at least, as I had surmised when I had read it, the product of a too active imagination?

  Yet—she had not been romancing about the doll-maker's eyes, nor her voice; and she had not exaggerated the doll-maker's appearance nor the peculiarities of the niece. The woman spoke, recalling me to myself, breaking my thoughts.

  "My room interests you?"

  She spoke softly, and with, I thought, a certain secret amusement.

  I said: "Any room where any true artist creates is of interest. And you are a true artist, Madame Mandilip."

  "Now, how do you know that?" she mused.

  It had been a slip. I said, quickly:

  "I am a lover of art. I have seen a few of your dolls. It does not take a gallery of his pictures to make one realize that Raphael, for example, was a master. One picture is enough."

  She smiled, in the friendliest fashion. She closed the door behind me, and pointed to a chair beside the table.

  "You will not mind waiting a few minutes before I show you my dolls? There is a dress I must finish. It is promised, and soon the little one to whom I have promised it will come. It will not take me long."

  "Why, no," I answered, and dropped into the chair.

  She said, softly: "It is quiet here. And you seem weary. You have been working hard, eh? And you are weary."

  I sank back into the chair. Suddenly I realized how weary I really was. For a moment my guard relaxed and I closed my eyes. I opened them to find that the doll-maker had taken her seat at the table.

  And now I saw her hands. They were long and delicate and white and I knew that they were the most beautiful I had ever beheld. Just as her eyes seemed to have life of their own, so did those hands seem living things, having a being independent of the body to which they belonged. She rested them on the table. She spoke again, caressingly.

  "It is well to come now and then to a quiet place. To a place where peace is. One grows so weary—so weary. So tired—so very tired."

  She picked a little dress from the table and began to sew. Long white fingers plied the needle while the other hand turned and moved the small garment. How wonderful was the motion of those long white hands… like a rhythm… like a song… restful!

  She said, in low sweet tones:

  "Ah, yes—here nothing of the outer world comes. All is peace—and rest—rest—"

  I drew my eyes reluctantly from the slow dance of those hands, the weaving of those long and delicate fingers which moved so rhythmically. So restfully. The doll-maker's eyes were on me, soft and gentle… full of that peace of which she had been telling.

  It would do no harm to relax a little, gain strength for the struggle which must come. And I was tired. I had not realized how tired! My gaze went back to her hands. Strange hands—no more belonging to that huge body than did the eyes and voice.

  Perhaps they did no
t! Perhaps that gross body was but a cloak, a covering, of the real body to which eyes and hands and voice belonged. I thought over that, watching the slow rhythms of the hands. What could the body be like to which they belonged? As beautiful as hands and eyes and voice?

  She was humming some strange air. It was a slumberous, lulling melody. It crept along my tired nerves, into my weary mind—distilling sleep… sleep. As the hands were weaving sleep. As the eyes were pouring sleep upon me—

  Sleep!

  Something within me was raging, furiously. Bidding me rouse myself! Shake off this lethargy! By the tearing effort that brought me gasping to the surface of consciousness, I knew that I must have passed far along the path of that strange sleep. And for an instant, on the threshold of complete awakening, I saw the room as Walters had seen it.

  Vast, filled with mellow light, the ancient tapestries, the panelings, the carved screens behind which hidden shapes lurked laughing—laughing at me. Upon the wall the mirror—and it was like a great half-globe of purest water within which the images of the carvings round its frame swayed like the reflections of verdure round a clear woodland pool!

  The immense chamber seemed to waver—and it was gone.

  I stood beside an overturned chair in that room to which the doll-maker had led me. And the doll-maker was beside me, close. She was regarding me with a curious puzzlement and, I thought, a shadow of chagrin. It flashed upon me that she was like one who had been unexpectedly interrupted—

  Interrupted! When had she left her chair? How long had I slept? What had she done to me while I had been sleeping? What had that terrific effort of will by which I had broken from her web prevented her from completing?